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Batsa
Gopal Vaidya in his early days used to ask for drawing material from
his neighbors and present them paintings made from the material that
was given to him. He was born to a clan of medicine men, father Rajbhaidya
Krishnagopal and mother Purnamaya, in 1945. His father was the Royal
Vaidya (medicine man) and his brother is also a Royal Vaidya.
At
an early age, Batsa Gopal Vaidya was asked by his brother to copy
pictures from different books in order to strengthen the family's
medical lore. Later, he was inspired by the drawings of his arts
teacher Lin Bahadur Chitrakar and took up art as one of his subjects
in high school. He went on to J.J. School of Arts in Mumbai, India,
to complete his Bachelors degree in art through an Indian Cultural
Scholarship program. He specialized in printmaking and painted in
in acrylic and oil.
In
1971, Sashi Shah, Krishna Manandhar, Indra Pradhan, and Batsa Gopal
Vaidya came together to initiate an arts organization by the name
of Skib. The four of them promoted other artists as well as themselves
through this organization until the death of Pradhan.
In
1996, Batsa Gopal Vaidya's painting, a mandala representing Lord
Ganesha, based on Panchatatwa, was selected to be exhibited in Osaka,
Japan.
While
he captures temples, stupas, chaityas, viharas, and festivals in
his paintings, he uses soft colors and elusive imagery to portray
his messages. He feels that heritage bequeathed upon us by our ancestors
is important. Art critic S.K. Singh says that Vaidya's art links
the apirituality of ancient Nepal to modern day life.
Particularly
with the growing number of modern buildings around national monuments,
temples, statues, stupas, and chaityas, and encroachment of cultural
heritage, Vaidya feels that spiritual values are diminishing.
As Nepal isn't an industrial country and as most of our income depends
upon the tourist industries, he believes that we should importance
to traditions, natural resources, and arts and work to preserve
them. He is pleased that Bhaktapur City has been successful in maintaining
its traditional looks by building in traditional designs and feels
sorrow that Kathmandu and Lalitpur have not been able to do the
same.
He
advises the aspiring artists to be patient and learn artistic techniques
before they start working for money. Though the importance of the
arts and artists have increased over the past decades, he hopes
that the government takes step to conserve contemporary as well
as traditional artwork.
Vaidya's
artworks are on exhibit at international venues like Britain's Bradford
Musuem, Japan's Fukuoka, Lister Park, and Artright. They are also
on display at the Royal Palace, Birendra Art Gallery, United Nations
Building, Gorkha Darbar, and other places. He is also an author
of books related to art.
Vaidya
was awarded first position in competitions organized by National
Association of Fine Arts, Birendra Exhibitions, and Bimel Exhibitions.
He received the Gorkha Dachin Bahu in 1993 and has opened a private
arts college in Nepal. He is presently active in different organizations
like National Association of Fine Arts, Royal Nepal Academy, Nepal
Artists Society, Srijana Art Gallery, and Department of Arts and
Sculptures at Tribhuvan University. He lives at Saugal Tole, Lalitpur
with his mother, wife, two sons and a daughter.
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